Stravinsky dedicated Duo Concertant to Samuel Dushkin, a well-known violinist he met in 1931. Its pronouncements on poetry resonated with the philosophy that underlay Stravinsky’s neoclassical works, of which the Duo is a good example. b) Variation. Here, the lyricism Stravinsky strove for in the Duo is abundantly and quite beautifully realized. In addition, Stravinsky made several arrangements for violin and piano of earlier works, such as the Divertimento and the Suite italianne. 1: Non-Commercial Recordings, Stravinsky: Duo Concertant; Divertimento; Lukas Foss: String Quartet No. This site uses cookies to offer you the best possible experience. 1 In D, Opus 19 / Duo Concertant (1932)" on Discogs. The Duo concertant received its first performance in October 1932 in Berlin, and became a regular feature on Dushkin and Stravinsky's recital programs. This program brings together the brilliance of Stravinsky’s Duo Concertant, the wild energy of Penderecki’s string trio, and the intoxicating piano quintet of Shostakovich, with its alternation of formal rhetoric and understated sardonic wit. The present disc contains three chamber works: Duo Concertant for Violin and Piano (1932) played by Jennifer Frautschi, violin, and Jeremy Denk, piano; the Sonata for Two Pianos (1943-44) played by Ralph van Raat and Maarten van Veen, and Élégie for Viola (1944) played by Richard O'Neill. The impetus for this piece came from neo-classical literature and this is reflected in the names of the movements: Cantilène, Eclogue 1, Eclogue 2, Gigue, and Dithyrambe. Lin & Schub [CBS ’86] “For many years I had taken no pleasure in the blend of strings struck in the piano with strings set in vibration with the bow. For details on how we use cookies, see our. Duo Concertant for violin and piano (1932) Cantilène. View credits, reviews, tracks and shop for the Vinyl release of "Violin Concerto No. Interchange: Violin & Piano Duos of the 20th Century, Igor Stravinsky: The Complete Columbia Album Collection, Stravinsky: Divertimento; Suite Italienne; Duo Concertant, The Art of Roman Totenberg: From Bach to Webern - Recodrings from 1943-1996, Stravinsky: Complete Music for Violin & Piano, Stravinsky: Diversions - Music for Violin & Piano, Szymon Goldberg Centenary (Edition), Vol. The Duo concertant, Igor Stravinsky’s only work originally conceived for violin and piano, grew out of his collaboration with the violinist Samuel Dushkin, for whom the composer also wrote his Violin Concerto. Stravinsky dedicated Duo Concertant to Samuel Dushkin, a well-known violinist he met in 1931. 1, Joseph Szigeti Plays Prokofiev & Stravinsky, Levon Ambartsumian Plays Stravinsky & Bartok, Igor Stravinsky: Works for Violin & Piano, Karol Szymanowski: Mythes; Sonate, Op. Eglogue I opens with a drone on the violin, and some of the ensuing violin parts are reminiscent of L'Histoire du soldat. The result is a stirring, starkly beautiful work that sounds ideally suited for this instrumental combination. The composer premiered the work with Dushkin in Berlin in 1932, and the pair gave recitals together across Europe for the next several years. Stravinsky: "For many years I had taken no pleasure in the blend of strings struck in the piano with strings set in vibration with the bow. STRAVINSKY: Duo concertant (1932) WEBERN: Four Pieces for Violin and Piano, Op 7 Joseph Szigeti ∙ violin Naum Sluszny ∙ piano Recorded ∙ 27 April 1958 ∙ Asnières sur Oise ∙ Royaumont Abbey ∙ RTF ∙ Live Recording. Article number: MC 2040 UPC barcode: 791154050712 9; Stravinski: Duo concertant; Suite italienne, Stravinsky: Composer & Performer 1930-1950, Vol. The pair also performed the work during a visit to Los Angeles, about which Stravinsky scholar Stephen Walsh writes in his essay on Stravinsky in L.A.. -- John Mangum is a Ph.D. candidate at UCLA. centerpiece of the tour program was the Duo Concertant of 1931-1932, but to round out the concert, together they arranged excerpts from some of his ballets, including The Firebird, The Fairy’s Kiss, Petrushka and The Nightingale. The two Eglogue movements evoke the pastoral nature of the traditional eclogue. Repertoire Note. 2, Stravinsky: L'Oiseau de feu; Baiser de la fée, Igor Stravinski: Duo Concertanti; Divertimento; Ravel: Sonata for Violin and Piano; Tzigane; Rhapsodie de Concert, Stravinsky: Chamber Music & Historical Recordings, Igor Stravinsky: Duo Concertant; Suite Italienne; Divertimento; Pastorale; Ballad; Chanson Russe; Danse Russe, Bela Bartók: Sonata for Solo Violin; Igor Stravinsky: Duo concertant; Sergei Prokofiev: Violin Sonata No. F. Fanfare for a New Theatre – 1964 Faun and Shepherdess – 1907 Fireworks, Op. The opening Cantilène, with its unsettled piano part and spiky figurations for the violin, hardly evokes the lyricism Stravinsky wrote about, but this alternates with longer-breathed lines for the violin, giving a foretaste of the more relaxed nature of the first Eglogue, where the violinist plays a drone over a propulsive accompaniment. Until this time he had not written an appropriate piece, apparently because of an antipathy toward the combination of violin and piano. Duo concertant (1932) for violin and piano. Eglogue I. Eglogue II. c) Coda . The two toured as recitalists in 1932-34, and Stravinsky early on saw the need for one of his own works to be part of the concert program. Stravinsky, worried about an upcoming tour of the United States and Europe with Dushkin, wanted a work that he could use in smaller cities whose orchestras couldn’t cope with his idiom. 4 – 1908 But, as the composer wrote in his 1935 autobiography, Chronicles of My Life, “A deeper knowledge of the violin and close collaboration with a technician like Dushkin had revealed possibilities which I longed to explore.”. ¿Hablas español? Duo concertant for violin and piano – 1932. (Dushkin extracted the violin parts from the orchestral scores; Stravinsky made the piano arrangements.) Stravinsky offered the following comment on the work: Stravinsky gave the five movements of the Duo concertant titles that evoke musical forms and idioms of the past. The other impetus behind the Duo concertant came from a biography of the Italian Renaissance poet Petrarch that Stravinsky had been reading. Dushkin and Stravinsky gave the Duo concertant its premiere in Berlin – hardly a city known for a poverty of orchestras – on October 28, 1932. It ends without warning, giving way to a high-spirited Gigue, a dance whose form Stravinsky again borrows from the baroque. E. Ebony Concerto (for jazz ensemble) – 1945 Eight Instrumental Miniatures – 1962 Elegy for J.F.K – 1964 Elegy for Viola) – 1944 Epitaphium – 1959. We are excited to announce that the Bowl will be reopening this summer. Credits from Duo Concertant ‧ Baal Shem ‧ Pastorale E3: Recorded 1945, composed 1932. Visita nuestra página web en español. 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