About the Music Igor Stravinsky burst onto the world stage with three legendary ballets for Serge Diaghilev’s Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913), all on Russian folk themes. Conducted by Stravinsky. Next comes a series of dances, beginning with one for Apollo alone—it opens, pointedly, with a “cadenza” for solo violin. Envisioning the work in his mind's eye, he found that "the absence of many-colored hues and of all superfluities produced a wonderful freshness." Stravinsky: Apollo; Concerto in D/Bashmet. It is unusual … Igor Stravinsky Apollo (1927-28; revised 1947) Approximate duration: 30 minutes. 3 Apollon musagète. In his Poetics of Music (1942) Stravinsky says: "Summing up: What is important for the lucid ordering of the work – for its crystallization – is that all the Dionysian elements which set the imagination of the artist in motion and make the life-sap rise must be properly subjugated before they intoxicate us, and must finally be made to submit to the law: Apollo demands it." Upon first hearing Apollo, Diaghilev found it "music somehow not of this world, but from somewhere else above." When Balanchine returned to this score three decades later, he could no longer remember his original choreography. Stravinsky’s music had a wonderful clarity of tone, and I saw that gestures, the basic material of the choreographer, have family relations, like different shades in … It seems an appropriate setting for this work diametrically opposed to the spirit of The Rite of Spring. Unlike Bartok, who explored the aggressive side of string laying in his Divertimento, here Stravinsky restrains himself, calling on a decidedly romantic, lyrical sound. If you have a disability and experience difficulty accessing this content request an accommodation. He was all of twenty-four years old. Open navigation menu Stravinsky conceived Apollo as a ballet blanc – a "white ballet" with classical choreography and monochromatic attire. This evening on Symphony @ 7, I'll have a performance of this half hour ballet score from the Royal Concertgebouw Orchestra conducted by Riccardo Chailly. Stravinsky now spent most of his time in Switzerland and France, but continued to compose for Diaghilev and the Ballets Russes: Pulcinella (1920), Mavra (1922), Renard (1922), Les Noces (1923), Oedipus Rex (1927) and Apollo (1928). Here, the gravely beautiful music with which the work began is truly recapitulated "on high" – ceaselessly recycled, frozen in time. The scenario is basic, stripped of any particularly meaningful narrative. Linn CKR330. Apollon musagète (or more simply Apollo, as it became known) was Stravinsky’s first collaboration proper with dancer and choreographer George Balanchine. In terms of discipline, restraint, the perpetual unison of sound and mood this score was a revelation for me. Apollo—followed by a lively Allegro—Apollo is here joined by two unnamed goddesses. It was revised in 1949. Few artistic partnerships in history have been as fruitful as that of George Balanchine and Igor Stravinsky. Balanchine choreographed at least 45 ballets to Stravinsky’s music—some of them commissions, some of them-preexisting scores. Following the ‘Prologue’ depicting the Birth of Apollo, the three Muses Calliope, Polyhymnia and Terpsichore are introduced, before the work proceeds through a series of conventional variations entirely in keeping with the traditions of the classical ballet. The ballet was a great success at its May 15, 1920, premiere, and in 1922 Stravinsky decided to extract a Concert Suite, scoring it for the same chamber-sized ensemble. Stravinsky took no in… The production was a success, but some critics complained that the troupe’s choreographic and scenic novelty was not matched by its conservative musical score. Stravinsky composed this ballet in the latter half of 1927 and in January 1928. The programming is brilliant -- APOLLO and ORPHEUS are both quite lovely works, the 1928 neoclassical APOLLO not quite so much as the 1948 ORPHEUS, which reflected on not just one but two horrific world wars, and incorporates Romantic elements that Stravinsky had earlier been at pains to eliminate. Ruth Page, Berenice Holmes (Gene Kelly's ballet teacher), and Elise Reiman were the three Muses and Hans Kindlerconducted. 101 in D.  Haydn wrote it for the second of his two trips to London, and it received its premier on March 3 of 1794. Libretto by André Gide: Ave Maria: 1934 A cappella mixed choir Ave Marias ; Hymns Stravinsky's fourth setting of a sacred text. Stravinsky Violin Concerto was composed in 1931 and at its premiere, conducted by Igor Stravinsky with Samuel Dushkin as the violin soloist. A ‘Coda’ is reached for all four dancers before the final triumphal yet melancholic ‘Apotheosis’ in which Apollo leads the three muses towards Parnassus. The New York Times notes that Stravinsky’s music drew a variety of responses from Balanchine, ranging from “the cool, bare-bones complexity of their 1957 Agon, set to an original score, to the jazzy playfulness and powerful surge of Balanchine’s 1972 Symphony in Three Movements.” “I regard Apollo as a turning point in my life. It got its nickname from the stately tread of the second movement Andante, which reminded audiences of the regular ticking of a clock. Balanchine made Apollo in 1928, under the inspiration of Stravinsky’s score and under the auspices of Diaghilev’s Ballets Russes. • Stravinsky began Apollo on 16 July 1927, and completed the score on 9 January 1928. He had three main periods in his artistic life. Title Music score of Apollon-Musagète (Igor Stravinsky, manuscript piano score) Contributor Names Stravinsky, Igor -- 1882-1971 (composer) Chamber Orchestra of Europe/Alexander Janiczek It was first used by Balanchine for Balustrade with the Original Ballet Russe in 1941. Stravinsky himself said Apollo was a tribute to the forms and structures of seventeenth-century French music. The Firebirdis a ballet and orchestral concert work by Stravinsky written for the 1910 … The Ballets Russes made a specialty of pieces inspired by Russian folklore (pri-meval Russian history being a cultural ob- ... Stravinsky’s score is one of music’s great showpieces of orchestration, a remarkable tour de force for a 28-year-old composer, even one Theirs became a successful and enduring partnership. Stravinsky's musical career is traditionally divided into … Stravinsky’s score for Apollo taught me that a ballet, like his music, must have restraint and discipline. Many rank among the greatest works in 20th-century dance. If you have the time this evening, join me for Haydn and Stravinsky on Symphony @ 7. https://www.youtube.com/watch?v=bd_1uwD4v-I, https://www.youtube.com/watch?v=Q6SsPw2hLQU, Classical 101 Playlist & Program Schedule. Scribd is the world's largest social reading and publishing site. He chose to make a ballet blanc, which he composed for a refined instrumental force, manifested as a string orchestra of 34 instrumentalists: 8 first violins, 8 second violins, 6 violas, 4 first cellos, 4 second cellos and 4 double basses The Firebird. Igor Stravinsky Apollo (1927-28; revised 1947) Approximate duration: 30 minutes. In its discipline and restraint, in its sustained oneness of tone and feeling, the score was a revelation. Conducted by Stravinsky. Stravinsky’s first Diaghilev project was modest, a pair of Chopin orchestrations for the 1909 Ballets Russes production of Les Sylphides. Elizabeth Sprague Coolidge commissioned Apollon musagete (Apollo and the Muses), as the piece is also called, in 1927 for a performance at the Library of Congress in Washington D.C. the following year. He made minor revisions to the Suite in 1949. Adolph Bolm put together a company of dancers for the premiere in a country which, at that time, lacked a readily available source of classically trained dancers. To take up the time in the first half hour of the program, you'll hear "The Clock." Category:Stravinsky, Igor All original works (compositions and arrangements) of this person are still under copyright in Canada, the EU, Japan and elsewhere and are thus subject to immediate deletion. This work is available from Boosey & Hawkes ... [Apollo] score’s abrasive dissonances, Charles Rosen remarks, that he considered them “mistakes of the copyist, and replaced them with blander harmonies” when he conducted the premiere’ (Joseph 2002:81). The ballet closes with an Apotheosis in which Apollo leads the Muses towards Parnassus. Oedipus Rex (1927), and Apollo (1928). The original ballet score featured eighteen numbers, whereas the Suite is comprised of eight. In his Poetics of Music (1942) Stravinsky says: "Summing up: What is important for the lucid ordering of the work – for its crystallization – is that all the Dionysian elements which set the imagination of the artist in motion and make the life-sap rise must be properly subjugated before they intoxicate us, and must finally be made to submit to the law: Apollo demands it." Divertimento (from Le Baiser de la fée) 1934 Orchestra Suites Premiered 1934-11-4 in Paris. for the world. As his oldest surviving ballet, and by general consensus one of his great ballets, Apollo has a biographical fascination. Balanchine's first collaboration with Stravinsky and one of his earliest international successes, Apollo presents the young god as he is ushered into adulthood by the muses of poetry, mime, and dance. Apollo is the god of music in Greek mythology. Apollon musagète (or just Apollo, as it became known) was the first collaboration between Stravinsky and choreographer George Balanchine, the start of a major collaborative partnership that lasted decades.Along with Apollo, the ballet features three of the Muses – Calliope, Polyhymnia and Terpsichore – who dance variations in keeping with the form of classical ballet. It was with this work, his second ballet set to the music of Stravinsky, that Balanchine, at age 24, achieved international recognition and began his lifelong partnership with the composer. From the first measures, Stravinsky has taken us back to an earlier time and another place. Stay updated on the latest composer news and publications. Igor Stravinsky burst onto the world stage with three legendary ballets for Serge Diaghilev’s Ballets Russes: The Firebird (1910), Petrushka (1911) and The Rite of Spring (1913), all on Russian folk themes. What remains is a kind of abstract meditation on classical themes, figures and dances. "Apollo, leader of the muses" is a reasonable translation, but the revision was simply titled Apollo. Apollon Musagete (1947 version) (full score).pdf - Free download as PDF File (.pdf) or read online for free. If Igor Stravinsky's score for The Rite of Spring is a musical expression of primitive, raw barbaric power and energy, and the irrational side of early human culture, then Stravinsky is at his most restrained in his clear, calm and serene music for the neo-classical ballet Apollo. Its scoring for strings alone means that, as a concert work, it can fit well into a programme of chamber orchestra or string repertoire, classical as well as contemporary. Stravinsky, who possessed a strong interest in Greek mythology, conceived of and composed the score as a ballet. If Igor Stravinsky's score for The Rite of Spring is a musical expression of primitive, raw barbaric power and energy, and the irrational side of early human culture, then Stravinsky is at his most restrained in his clear, calm and serene music for the neo-classical ballet Apollo. He's also associated with truth, knowledge, prophecy, healing, the sun and light, and more. Apollo I look back on as the turning point of my life. That's the nickname of Franz Joseph Haydn's Symphony No. The first ballet version of Stravinsky's Apollon musagète, commissioned especially for the Washington festival, premiered on 27 April 1928 with choreography by Adolph Bolm, who also danced the role of Apollo. Apollo was the leader of the muses, Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry, which brings us to 20th century ballet. 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