Crystal Pite. When she read The Tempest she was inspired to recreate the shipwreck at the beginning of the play. Sometimes fragmented and gestural, with traces of the isolation and popping techniques of hip hop, Pite’s choreographic method was a catalyst for change in the dancer’s bodies. [7] In the first act a man creates a marionette that is controlled by four dancers dressed as kurokos, traditional Japanese stagehands. The title refers to the indescribable shock after a traumatic event. Lar Lubovitch Dance Company. [29] The dance mimicked the movement of insects, which was a metaphor for human behavior. Pite’s choreographic debut was in 1990, at Ballet British Columbia. [33] The second dance, The Other You, featured two visually similar performers dressed in matching suits that dancing as if they were physically connected. Her first dance shows with the company showcased her shorter works and sometimes featured other choreographers. She professional choreographic debut was in 1990, at Ballet British Columbia. [32] This resulted in Pite splitting her time between Frankfurt and her hometown of Vancouver. [39] Pite took this opportunity to rework and improve upon the piece, stating "it wasn't done. S’abonner Crystal Pite (2009) Music Owen Belton. [33] A Picture of You Flying was the final section where Pite used humour to complement the more serious nature of the previous works. As the choreographer, Pite was commended for developing a dramatic story that depicts the physical breakdown of a conductor. Choreographer Crystal Pite and playwright Jonathan Young have collaborated previously on two productions, Betroffenheit for Pite’s company, Kidd Pivot, and The Statement for Nederlands Dance Theatre. The piece was inspired by Steven Johnson's work Emergence: The Connected Lives of Ants, Brains, Cities and Software. "Crystal Pite: 'Every time, I ask myself: why am I doing this in dance? Dernière mise à jour le 22 octobre 2019, distribution susceptible d’être modifiée. The title of the piece shares the same name as the second movement in Beethoven's Piano Sonata No. Crystal Pite. Later that year, she created a duet called Tales - New and Abridged with Cori Caulfield. Canadian choreographer and director Crystal Pite made her Royal Ballet debut in the 2016/17 Season with Flight Pattern. Soixante minutes découpées en autant de séquences dansées. Expand. She joined Ballet BC as a dancer in 1988 and performed with the company for eight years. The piece showcased a violent scene that left a man dead and then replayed this several times, each with variations. [19], Pite choreographed a solo on Louise Lecavalier called Lone Epic in 2006. There’s a risk that the themes of distortion and displacement in “The Statement” translates into an evasive script: a risk in showing a constant deferral of responsibility and an infinite web of unnamed deceit, which can lose sight of the particular reality that Pite and Young want to depict. [31], In 2010, Kidd Pivot signed a two-year deal (which was later extended to three years) to become the resident dance company of Künstlerhaus Mousonturm in Frankfurt. Poser une option He controls the timing through music and lighting cues, giving enough time to the dancers to communicate their part through improvisation.10 Crystal Pite, a former dancer of the Ballet Frankfurt under directorship of Forsythe, is an example of a new generation of choreographers that work for carrying the dance world into next level. [30] The dancers often performed the same movements but at random intervals throughout the piece. "[16] The piece blended classical contemporary and hip hop movements with immense control from the dancers. [1] She has choreographed over 50 works, many of which have been nominated for and won several awards. Pite stated that she began choreographing when she was a toddler. [6], Throughout her career as a choreographer Pite has choreographed works for world renowned companies such as Nederlands Dans Theatre I, The Paris Opera Ballet, Ballet Jörgen, Ballet BC, Les Ballets Jazz de Montreal, Cullberg Ballet, the National Ballet of Canada, The Royal Ballet, Ballett Frankfurt, and Cedar Lake Contemporary Ballet. I think there’s something … Après la création unanimement saluée de The Seasons’ Canon en 2016, Crystal Pite retrouve les danseurs du Ballet de l’Opéra le temps d’un spectacle. On NDTV we regularly present streams of full ballets by choreographers like Crystal Pite, Marco Goecke, Hans van Manen and more. While working in Frankfurt, Pite choreographed The You Show (2010), which explored different types of relationships in various duets and The Tempest Replica (2011) which was based on Shakespeare's The Tempest. Born in Terrace, British Columbia and raised on the Canadian West Coast, choreographer and performer Crystal Pite is a former company member of Ballet British Columbia and William Forsythe's Ballett Frankfurt. [50], In 2017, the Royal Opera House commissioned a new piece from Pite called Flight Pattern which premiered in March of that year. Elle rejoint ensuite le ballet de Colombie-britannique, puis en 1996 le ballet de Francfort , où elle rencontre le chorégraphe contemporain William Forsythe [ 1 ] . From an early age Crystal Pite showed an interest in and affinity for choreography, as well as striking promise as a dancer. [54], Pite's partner is Jay Gower Taylor, who is also Kidd Pivot's set designer. [25] The choreography was based on ballet vocabulary but was not considered a classical ballet piece. Crystal Pite. [11] The success of this work allowed her to create additional pieces with Ballet BC, as well as choreography with Les Ballets Jazz De Montreal and Canada's Ballet Jörgen. On top of that you can watch interviews with choreographers affiliated with NDT. Pite … Share . [7] She expanded this piece to be featured in the first part of The Stolen Show, also performed by Les Ballet Jazz de Montréal. In 2010, Kidd Pivot became the resident dance company of the German theatre Künstlerhaus Mousonturm and for the next three years Pite premiered her work in Frankfurt, Germany. [36] Throughout the piece Pite projected the act and scene number from the original play with a short scene description to help the audience understand the plot. [22] In 2008 Pite became an associate choreographer with NDT and has created nine works for the first company since her first, Pilot X, in 2005. "[2], Among her first choreography with the renamed company was The You Show, which explored different conflicts that couples may have with each other. Soixante minutes découpées en autant de séquences dansées. [2] In 2002 she formed her own company called Kidd Pivot, which produced her original works Uncollected Work (2003), Double Story (2004), Lost Action (2006), Dark Matters (2009), The You Show (2010), The Tempest Replica (2011), Betroffenheit (2015), and Revisor (2019) to date. [8], Canadian choreographer and dancer (born 1970), Return to British Columbia and Kidd Pivot, Larger-scale works and international commissions, Emergence: The Connected Lives of Ants, Brains, Cities and Software, "Why Legendary Choreographer Crystal Pite Stopped Dancing", "Kidd Pivot (Vancouver) – February 20–23, 2019". [21] The piece included 25 dancers who represent youth and the loss of innocence that comes with growing up. This program is offered to dancers aged 13+ and runs from mid-day onwards- 5 days a week. Les Étoiles, les Premiers Danseurs et le Corps de Ballet de l’Opéra Pivotal Moments: Crystal Pite “I’m a choreographer because I’m interested in connecting with people, in connecting to audiences, and in connecting with people I’ve worked with—performers—as a way of finding common ground. Some of the themes in the piece included hive mentality, hierarchical mentalities and gender issues. [3] Throughout her career she has been commissioned by many international dance companies to create new pieces, including The Second Person (2007) for Netherlands Dans Theater and Emergence (2009) for the National Ballet of Canada, the latter of which was awarded four Dora Mavor Moore Awards. Après la création unanimement saluée de The Seasons’ Canon en 2016, Crystal Pite retrouve les danseurs du Ballet de l’Opéra le temps d’un spectacle. Welcome to super saver spring . and "What do you really want, really, really, really? De la captation réussie de Crystal Pite à Paris au festival de Ravenne en Italie, notre tour du monde des spectacles et documentaires liés à la danse. It wasn't awful, but it wasn't what it was going to be. Duet from Meadow, 2011. Pite has choreographed works for Nederlands Dans Theater I, Cullberg Ballet, Ballett Frankfurt, and other companies, and she has created and performed under the banner of her own company since 2001. In 1995, she auditioned for his dance company Ballett Frankfurt. Crystal Le-Anne Pite, dancer, choreographer (b at Terrace, BC 15 Dec 1970). [42] For some of the piece all the dancers moved as one entity in synchronization. What she does is use her art to clear the way for us to do our own … Seán Curran Company. In 2006 Pite returned to Ballet BC to create Arietta. This choreography won four Dora Mavor Moore Awards for best choreography, best performance, best score and best production. [53], Pite created a new piece in 2019 called Revisor, collaborating with Jonathon Young and her company Kidd Pivot for the second time. The impact of Crystal Pite’s work comes from the unlikely combination of what she herself describes as “rigour and recklessness.” “For me there is something interesting in that kind of contrast (…) I always cultivate first of all a sense of rigour to reach the idea of the work, but at the same time keep openness and recklessness and feel that we are always on the edge. Crystal Pite CM (born December 15, 1970) is a Canadian choreographer and dancer. At first she explored film noir movies but felt these stories did not have enough humanity or spirituality. Choreographer and dancer of Sorrowful Songs with Kidd Pivot, un nom qui va la... 13+ and runs from mid-day onwards- 5 days a week choreographic debut was in 1990, at Ballet to. 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